What did I do differently?

What did I do differently this time compared to the first time I published a book?

Well, I’m not using KU for Phantom and Rook. While it was a good idea at the time for TEM, and it obviously works for lots of people, I hated the exclusive thing. Now I can offer my ebooks to libraries and a LOT more distributors using Draft2digital, their setup is so much friendlier and it feels better getting away from Amazon.  Obviously the ebooks will be listed there, but everything for me is right on D2D.

I comissoned a cover (in the works) from Bear Pettigrew, a fantastic artist. While I’m happy with my self made covers (for a series I hurried to get out there), I KNOW that my books would have done better if I had someone else do the cover.

Speaking of time, I have spent a little under a year on this book. Much more feasible than doing it in three months. Again, everyone works different, but I really needed that time to let it sit between edits.

Also, I got the ball rolling on an audiobook narrator much sooner, and again, I moved away from exclusively Amazon. I love the narrators I worked with on the Iverbourne books and was very lucky to collaborate with them using royalty share, but I like the idea of this book being *mine* to distribute where I want (libraries included).

Not to mention I was able to snag an AWESOME narrator who is a favorite of mine.

And my pre-orders are much cooler 😎
Three maps, wax seal, all the prints, bookmarks, Misfits pin, signed book and stickers. The Game announcements will be included in print as well.

ARCs were sent out earlier, I was much more selective this time and I’m not sending EVERYONE HARDBACKS. So, so, SO much money and I never heard from people again. I’m guilty of taking two months to read an ARC at times when my brain is mush, so this way no one is pressured.

In short, I spent ALOT more time and money. Like, alot alot. It’s terrifying, but that’s how much I believe in this story, these characters, my writing. What works for me may not work for you, but if I can say one thing, is take your time. Invest when you can and do your best with what you have at the time, because your story deserves to be told.

Have you met the coffee shop owner?

“By chance, do you know where Gleason went? Or, when Thatch will be back? I suppose he’d be the one to talk to about the apartments.”

“Oh? Gleason’s just outside, but Thatch is,” Helena’s iridescent eyes flash to Rhea snorting, then down to the dishwasher digging around in the pastry case, hood pulled down around their face as they struggle to pull out the empty trays, “boss, really?”

The person stands and my heart palpitates in response to my magick’s upcoming symphony. Waves of tightly coiled copper flow from beneath his hood, covering one of his striking oceanic eyes. His mouth’s stuffed full of scone, and mocha icing dots his nose. I bite my cheek in attempts to reel in my magick, a few heads turn in response to the mark on my face glowing brighter than a fucking neon sign.

Hello, witches.

And no, it’s not him. He’s not my person, so stop looking between us with those smug grins.

“Oh, hello again.” He says over attempts to choke down his food. “You guys missed one.” He points to his reddened cheeks full of scone.

“Oh! You already know each other? Why were you hiding then, boss?” Helena asks and the questions in Quentin’s eyes multiply. I rub the back of my neck in anticipation.

“No, he just, I just, we ran each other last night.” Thatch gestures between us hastily with icing covered fingers, curls bouncing. His eyes linger on mine for a second, but he otherwise avoids looking directly at me. “I did not feel the need to bother you again.”

His gaze hardly falls on Quentin, but Quen can’t stop staring at the man with a smile brighter than the sun. Wait.

Wait. Thatch.

Thatch Phantom.

Oh, shit.

And so their shenanigans begin.

Where would you hang out, with the books or in the cafe?

What’s your favorite detail?